TitleWhite Oak Dance Project: an evening of music and dance with the White Oak Chamber Ensemble
Additional title: Evening of music and dance with the White Oak Chamber EnsembleAdditional title: Three Russian preludes (Choreographic work : Morris)Additional title: Chaconne (Choreographic work : Limón)Additional title: Tryst (Choreographic work : Patterson)Additional title: Heartbeat: mb (Choreographic work)
NamesBaryshnikov, Mikhail, 1948- (Dancer)Jones, Margaret (Violinist) (Musician)Danielson, Nick (Performer)Bursack, David (Performer)Sutter, Wendy (Performer)Reveles, Nicolas (Performer)Morris, Mark, 1956- (Choreographer)Limón, José (Choreographer)Patterson, Kraig (Choreographer)Rudner, Sara (Choreographer)Chybowski, Michael (Lighting designer)Finn, David A. (Lighting designer)Matera, Barbara (Costume designer)Mizrahi, Isaac (Costume designer)Loquasto, Santo (Costume designer)Janney, Christopher (Sound designer)White Oak Dance Project (Performer)White Oak Chamber Ensemble (Performer)
CollectionMikhail Baryshnikov Video Archive
Dates / OriginDate Created: 1998-01-21
Table of ContentsDuo in G major, K 423 for violin and viola / Mozart -- Three Russian preludes -- String quartet in D major, op. 44 / Mendelssohn -- Chaconne -- Tryst -- Piano quartet in A major , op. 26 / J.S. Brahms -- HeartBeat: mb.
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 387
TopicsDanceBaryshnikov, Mikhail, 1948-White Oak Dance ProjectShostakovich, Dmitriĭ Dmitrievich, 1906-1975. Preli︠u︡dii i fugi, piano, op. 87Bach, Johann Sebastian, 1685-1750. Sonaten und Partiten, violin, BWV 1001-1006. Partita, no. 2. ChaconneBarber, Samuel, 1910-1981. Quartets, violins (2), viola, cello, no. 1, op. 11, B minor. AdagioMozart, Wolfgang Amadeus, 1756-1791. Duets, violin, viola, K. 423, G majorMendelssohn-Bartholdy, Felix, 1809-1847. Quartets, strings, no. 3, op. 44, no. 1, D majorBrahms, Johannes, 1833-1897. Quartets, piano, strings, no. 2, op. 26, A major
GenresFilmed performancesFilmed danceMusic
NotesContent: Title supplied by cataloger based on the label on the container and the content of the recording.Content: Music works by Shostakovich used for Three Russian preludes: 24 preludes and fugues, opus 87; Prelude no. 17 in A flat major ; Prelude no. 22 in G major ; Prelude no. 15 in D flat major. Music work by Bach used for Chaconne: Chaconne from Partita no. 2 in D minor for solo violin. Music work by Bach used for Tryst: Concerto no. 3 in D minor (BWV974, based on an Oboe concerto by Alessandro Marcello. Music works used for HeartBeat: mb: sound score by Christopher Janney and Adagio 2nd movement from String quartet by Samuel Barber.Creation/production credits: Three Russian preludes: Mark Morris, choreographer ; Dmitri Shostakovich, composer ; Michael Chybowski, lighting ; Barbara Matera, costumes. Chaconne: José Limón, choreographer ; Johann Sebastian Bach, composer ; David Finn, lighting ; Isaac Mizrahi, costumes. Tryst: Kraig Patterson, choreographer ; Johann Sebastain Bach, composer ; David Finn, lighting ; Santo Loquasto, costumes. HeartBeat: mb: movement and improvisation by Baryshnikov ; Christopher Janney, Samuel Barber, composers ; choreographic direction by Sara Rudner ; lighting by David Finn.Performers: Margaret Jones, violin (1st, 3rd, 7th works) ; Nicolas Danielson, violin (3rd, 4th, 6th, 7th works) ; David J. Bursack, viola (1st, 3rd, 6th, 7th works) ; Wendy Sutter, cello (3rd, 6th, 7th works) ; Nicolas Reveles, piano (2nd, 5th, 7th works) ; Mikhail Baryshnikov, dancer.Venue: Recorded in New York City Center New York 1998January 21.Acquisition: Gift; Mikhail Baryshnikov, 2011.
Physical DescriptionVideocassetteExtent: 1 videocassette (VHS) (99 min.) : sound, color ; 1/2 in.
Type of ResourceMoving image
IdentifiersNYPL catalog ID (B-number): b20203401Universal Unique Identifier (UUID): 2c1505a0-e867-0131-2089-3c075448cc4b
Rights StatementThis item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
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