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Collection Data
- Description
- The Otto Harbach Papers include correspondence, business papers, scripts, scores, lyrics, personal papers, photographs, and printed matter documenting his personal life and career, and also a particular period in the American musical theater, from ca. 1908-1938, when Harbach created most of his works. Correspondence is mainly between Harbach and his family in Salt Lake City, and later with his son William. Family members include his brothers, Arthur, James, Julius, and William Hauerbach, and his sister and brother-in-law, Sadie and Avern Poulton. Included in the small amount of correspondence from friends and colleagues are several interesting letters from Arthur Hammerstein, Oscar Hammerstein, Jerome Kern, and Carl Sandburg. The collection is particularly strong in covering the business aspects of Harbach's work, documented with contracts, copyright, and royalty information. Scripts form the largest series and include copies of most of Harbach's works. The scores are mostly for HAYFOOT-STRAWFOOT (music by Jerome Kern) and COUNTER MELODY (music by Peter De Rose) and are notable for the holographs that make up part of the scores for HAYFOOT-STRAWFOOT. There is also a good collection of photographs, including family, colleagues, ASCAP events, friends, and a selection of production photos. Personal papers include genealogical information, writings other than scripts, ephemera and a long oral history interview conducted by William Harbach shortly before his father's death.
- Names
- Harbach, Otto, 1873-1963 (Creator)
- Caesar, Irving, 1895-1996 (Contributor)
- De Rose, Peter, 1900-1953 (Contributor)
- Friml, Rudolf, 1879-1972 (Contributor)
- Hammerstein, Arthur, 1872-1955 (Contributor)
- Hammerstein, Oscar, II, 1895-1960 (Contributor)
- Harbach, Ella (Contributor)
- Harbach, William O. (Contributor)
- Hoschna, Karl L., 1877-1911 (Contributor)
- Kern, Jerome, 1885-1945 (Contributor)
- Poulton, Avern (Contributor)
- Poulton, Sadie (Contributor)
- Romberg, Sigmund, 1887-1951 (Contributor)
- Sandburg, Carl, 1878-1967 (Contributor)
- Stothart, Herbert, 1885-1949 (Contributor)
- Youmans, Vincent, 1898-1946 (Contributor)
- Harbaugh family (Contributor)
- Hauerbach family (Contributor)
- American Society of Composers, Authors and Publishers (Contributor)
- Knox College (Galesburg, Ill.) (Contributor)
- Whitman College (Contributor)
- Dates / Origin
- Date Created: 1870 - 1990
- Library locations
- Billy Rose Theatre Division
- Shelf locator: *T-Mss 1993-038
- Topics
- Composers
- Musical theater -- United States
- Musicals -- Librettos
- Theater -- United States
- librettists
- Lyricists
- Genres
- Contracts
- Oral histories
- Photographs
- Scores
- scripts (documents)
- Notes
- Content: 15.1 linear feet (37 boxes)
- Biographical/historical: Otto Harbach, author, librettist and lyricist, was born in Salt Lake City on August 18, 1873. His parents, Adolph Julius Hauerbach and Hansena Olsen, were Danes who had converted to Mormonism and migrated to the United States in 1863 (Harbach changed the spelling of his name in 1917). Encouraged by his family, Harbach headed east to Knox College in Galesburg, Illinois. There he distinguished himself, becoming first the oratorical champion of the college, and then winning the state championship in 1895 in a contest for which William Jennings Bryan was one of the judges. After graduation Harbach accepted a professorship in English at Whitman College in Walla Walla, Washington. In 1901 he arrived in New York to work on a Ph.D. at Columbia, but a lack of funds soon led him to work as a journalist and later as an advertising copywriter.
During his years in New York, Harbach began to think of Broadway as a career and while office work occupied his days, his free time was spent working with Karl Hoschna, his first collaborator, trying to create and sell a musical. It wasn't until 1908, after the success of Three Twins for which Hoschna was the composer, that Harbach quit his job and devoted himself to writing. Over the course of his career Harbach had more than 50 works produced on Broadway. He was also well-known as a "script doctor", rewriting and revising plays for various producers. Harbach's own works were for the most part musicals for which he provided both the book and the lyrics. His contributions were not only memorable lyrics and credible plots, but also a new style of musical, where the songs were an integral part of the story. Among his collaborators were the composers Karl Hoschna, Rudolf Friml, Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans and Sigmund Romberg, and the lyricists Oscar Hammerstein, Irving Caesar, Frank Mandel, and John Murray Anderson. Harbach's most well-known works include the songs Love Nest, Smoke Gets In Your Eyes, Indian Love Call, One Alone, Rose Marie, The Night Was Made for Love, and the plays The Firefly, Roberta, Rose Marie, No, No, Nanette, Desert Song, Kid Boots, The Song of the Flame and The Cat and the Fiddle. Harbach also wrote several plays that were not musicals including Up in Mabel's Room and The Silent Witness.
Harbach worked with major Broadway figures of his day on a creative basis, and he also worked with them to enhance the profession as a whole through the American Society of Composer's Authors and Publishers (ASCAP). Joining as a charter member in 1914, he worked with ASCAP for more than 40 years as a director, and served as president from 1950-1953. By all accounts his colleagues not only admired his work, but respected the man. Socially Harbach belonged to the Lambs, the Friars and the Dutch Treat Club, but much of his time was spent with his family at their home in Mamaroneck, where Harbach also did much of his work.
Harbach was married to Ella Smith Dougall in Salt Lake City in 1918. Together they had two sons, Robert and William. The family also included Ella's children from her previous marriage, Bernard and Virginia Dougall. Otto Harbach died in New York in 1963.
- Content: The Otto Harbach papers include correspondence, business papers, scripts, scores, lyrics, personal papers, photographs and printed matter documenting the life and work of this American librettist and lyricist. The collection also reflects the history of the American musical theater during the years that Harbach was most active, from 1908 through the 1930's.
Correspondence is mainly between Harbach and his relatives in Salt Lake City, and later with his son William. Letters from friends and colleagues are few in number, but contain some interesting letters from Arthur Hammerstein, Oscar Hammerstein, Jerome Kern and Carl Sandburg. The collection is particularly strong in covering the business aspects of Harbach's work with contracts, copyright, and royalty information for many of his works. Scripts form the largest series and include copies of most of Harbach's works. The scores are mainly for Hayfoot-Strawfoot (music by Jerome Kern) and Counter Melody (music by Peter De Rose) and are notable for the holographs that make up part of the scores for Hayfoot-Strawfoot. There is also a good collection of photographs, including family, colleagues, ASCAP events, and friends and a selection of production photos. Personal papers include genealogical information, writings other than scripts, ephemera and a long oral history interview conducted by William Harbach shortly before his father's death. Unfortunately, there is no real documentation of Harbach's long involvement with ASCAP.
- Type of Resource
- Text
- Identifiers
- Other local Identifier: *T-Mss 1993-038
- NYPL catalog ID (B-number): b11985358
- MSS Unit ID: 25780
- Universal Unique Identifier (UUID): 64d415b0-fa58-013a-db67-0242ac110003
