Collection History

The New York Public Library possesses one of the largest and finest collections of medieval and Renaissance illuminated manuscripts in North America, yet its manuscript holdings are scarcely known to scholars, much less to a wide public audience. Medieval and Renaissance illuminated manuscripts are vehicles of the collective memory of western European culture, and provide a material connection between the scribes, illuminators, and patrons who produced these works and the audiences who view them today.

The works represent diverse genres, from Bibles and missals to romance literature and science texts. Dating from the turn of the 10th century until well into the period of the Renaissance, these works give vivid testimony to the creative impulses of the often nameless craftsmen who continually discovered new ways of animating the contents of hand-produced books through inventive and sometimes exuberant manipulations of all the elements of the book: form and format, layout, script, decoration, illustration, and binding.

Drawn from the Library's Spencer Collection and the Manuscripts and Archives Division, these works focus on the 9th through the 16th centuries -- seven hundred years of profound political, ecclesiastical, social, and intellectual change in Western Europe and the world. Among these rare items are a 10th-century Ottonian manuscript, with its imitation of Byzantine textile with gold decoration; the Towneley Lectionary, illuminated by Giulio Clovio (once praised as the "Michelangelo of small works"), which originated in Rome and probably belonged to Cardinal Alessandro Farnese; and a late 15th-century Book of Hours, which represents the leading style of illumination from Besançon, one of the French Regional Schools.


"The Digital Scriptorium" originated in the mid-1990s as an image database, intended to unite scattered resources from many institutions into an international tool for teaching and scholarly research. NYPL curators have augmented the Digital Scriptorium's primary documentation of NYPL's contribution of 259 manuscript parts with images of the works' most significant illuminations. Some works in this digital presentation also appeared in the exhibition, "The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at The New York Public Library," held October 21, 2005 - February 12, 2006 in the Library's D. Samuel and Jeane H. Gottesman Exhibition Hall.

- Collection History and Background text excerpted from the press release and exhibition catalog descriptions for "The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at The New York Public Library."

Related Resources

Alexander, Jonathan J. G., James H. Marrow, and Lucy Freeman Sandler. The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at The New York Public Library. (2005)

NYPL. "The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at The New York Public Library." (2005-2006) <http://www.nypl.org/research/calendar/exhib/hssl/hsslexhibdesc.cfm?id=354>

University of California, Berkeley. "The Digital Scriptorium." (c1996-2004) <http://www.digital-scriptorium.org>

Collection Data

Master of the Golden Tendril Books of Hours (Artist)
Dates / Origin
Date Created: 1400 - 1450 (Approximate)
Place: Tournai, Flanders
Library locations
Spencer Collection
Shelf locator: Spencer Collection Ms. 044
Biographical/historical: Written in Tournai (evidence from saints and dedication in calendar).
Citation/reference: De Ricci, Supplement, 332. Winkler pages. Library dossier.
Biographical/historical: Dr. J. Plummer identified the artist as Master of the Golden Tendrils; F. Winkler writes that each of the Master's mss. includes at least one painting with a background of a golden tendril with a wine-red ground. In this ms., it appears ff. 13, 19, 91.
Ownership: Bookplate of William Crampton.
Acquisition: Gift to Spencer of Mrs. Edward S. Harkness (Mary Stillman Harkness), 1941.
Physical Description
12 large miniatures. 18 long lines per page, ruled in red ink. Occasional prickmark visible. 2- and 1-line gold initials on red and blue fields. Larger blue and red initials on gold fields. Rubrics, full border designs around miniatures, linefillers, pale yellow daubs as placemarkers. Some initials sprout vines into borders.
Type of Resource
Universal Unique Identifier (UUID): 2b14f6b0-c617-012f-561d-58d385a7bc34
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