Livy 3rd. decade

Collection History

The New York Public Library possesses one of the largest and finest collections of medieval and Renaissance illuminated manuscripts in North America, yet its manuscript holdings are scarcely known to scholars, much less to a wide public audience. Medieval and Renaissance illuminated manuscripts are vehicles of the collective memory of western European culture, and provide a material connection between the scribes, illuminators, and patrons who produced these works and the audiences who view them today.

The works represent diverse genres, from Bibles and missals to romance literature and science texts. Dating from the turn of the 10th century until well into the period of the Renaissance, these works give vivid testimony to the creative impulses of the often nameless craftsmen who continually discovered new ways of animating the contents of hand-produced books through inventive and sometimes exuberant manipulations of all the elements of the book: form and format, layout, script, decoration, illustration, and binding.

Drawn from the Library's Spencer Collection and the Manuscripts and Archives Division, these works focus on the 9th through the 16th centuries -- seven hundred years of profound political, ecclesiastical, social, and intellectual change in Western Europe and the world. Among these rare items are a 10th-century Ottonian manuscript, with its imitation of Byzantine textile with gold decoration; the Towneley Lectionary, illuminated by Giulio Clovio (once praised as the "Michelangelo of small works"), which originated in Rome and probably belonged to Cardinal Alessandro Farnese; and a late 15th-century Book of Hours, which represents the leading style of illumination from Besançon, one of the French Regional Schools.


"The Digital Scriptorium" originated in the mid-1990s as an image database, intended to unite scattered resources from many institutions into an international tool for teaching and scholarly research. NYPL curators have augmented the Digital Scriptorium's primary documentation of NYPL's contribution of 259 manuscript parts with images of the works' most significant illuminations. Some works in this digital presentation also appeared in the exhibition, "The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at The New York Public Library," held October 21, 2005 - February 12, 2006 in the Library's D. Samuel and Jeane H. Gottesman Exhibition Hall.

- Collection History and Background text excerpted from the press release and exhibition catalog descriptions for "The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at The New York Public Library."

Related Resources

Alexander, Jonathan J. G., James H. Marrow, and Lucy Freeman Sandler. The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at The New York Public Library. (2005)

NYPL. "The Splendor of the Word: Medieval and Renaissance Illuminated Manuscripts at The New York Public Library." (2005-2006) <>

University of California, Berkeley. "The Digital Scriptorium." (c1996-2004) <>

Collection Data

Livy (Author)
Dates / Origin
Date Created: 1401 - 1500 (Approximate)
Place: Florence
Library locations
Spencer Collection
Shelf locator: Spencer Collection Ms. 27
Ownership: Written for Mathias Corvinus, King of Hungary (1458-1490), with his arms on the first page. Collection of Chretien Franc$ois de la Moignon; his sale (1791). Sir Thomas Phillipps collection. A. Chester Beatty collection. Acquired for Spencer, 1933.
Content: 36 long lines per page, ruled in light brown ink, catchwords visible. Collation: one quaternion (ff. 151-8), one ternion (ff. 219-24), and the remaining 21 gatherings are quinternions.
Content: Above, plus library dossier.
Content: Contains Third Decade, or Books XXI-XXX.
Content: De Ricci dates this manuscript to ca. 1480; Allen and the Walters Art Gallery catalog date it to ca. 1475.
Content: Manuscript is misfoliated at end with two leaves labelled f. 221. Thus although the foliation goes to 223, the number of leaves is 224. Correct foliation is used here, because of the ease of counting to the end after the error.
Content: Opening folio has elaborate border design in white vinestem, large initial, and rubrics. Throughout, 9 gold initials on fields of white vinestem, blue, green and pink. 1-line initials in same ink as text.
Content: Parchment
Content: Portrait of author on f. 1; putti and animal figures in border design.
Physical Description
Extent: Ff. ii + 224 + ii, 359 x 244 mm.
Type of Resource
Still image
Universal Unique Identifier (UUID): 8a0d9880-c60a-012f-d5fa-58d385a7bc34
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