Views in Japan and India

The New York Public Library is now offering grab-and-go service at 50 locations as part of our gradual reopening. Find a location near you, and learn about our remote resources.

Home

Search Browse About

Items Collections Divisions

Digital Collections Using Images Using Data

About Filters

Collection Data

Dates / Origin: Date Created: 1880 - 1889 (Approximate)
Library locations: The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection; Shelf locator: MFY+ 96-4072
Topics: Japan; India; Japan -- Clothing and dress
Genres: Photographs; Portraits
Notes: Biographical/historical: The technology of photography was introduced into Asian countries soon after its invention in various forms in Europe. The first daguerreotype camera was imported into Japan in 1848 (the patent dates to 1839). Wet and dry plate photographic processes were introduced into Japan by Dutch photographers stationed on the island of Dejima, in Nagasaki Bay, beginning in the 1850s. Japan was first opened to foreigners following the entry of Admiral Perry into Tokyo Bay in 1853 (a daguerreotype photographer accompanied Perry's expedition); we thus have an extensive photographic documentation of Japan, and of interaction between the Japanese and foreigners, from this period on. Felice Beato accompanied the British expeditionary army into China in 1860, and photographed the first military campaign. Beato set up his photographic studio with Charles Wirgman in Yokohama in 1863. The peripatetic Beato opened a photography studio and curio shop in Mandalay, Burma (now Myanmar) in 1885. English photographers such as John MacCosh and Captain Linnaeus Tripe were photographing in Burma from the 1850s. These two photographers were also active in the British Empire in India, and the introduction of photography into India follows the same patterns as for the other Asian countries. As was the case in Japan, Indian photographers were active at a very early stage, and made major contributions to the genre. A major Japanese photographer is Kimbei (Kusakabe Kimbei), thought to have been a pupil of Beato. He assisted Beato in the hand-coloring of photographs until 1863. He set up his own large and flourishing studio in Yokohama in 1881.
Physical Description: Extent: 22 l. of mounted photographs (part col''d). 27 x 37 cm. [mounts/pages 26 x 34 cm.]; Albumen prints; Hand-colored
Type of Resource: Still image
Identifiers: RLIN/OCLC: 40539613; NYPL catalog ID (B-number): b13950715; Universal Unique Identifier (UUID): 359b2d00-c6dd-012f-8730-58d385a7bc34