Balanchine essays, The barre, part two

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Balanchine essays

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Balanchine essays, The barre, part two
Additional title: Barre
Ashley, Merrill (Conceptor)
Schorer, Suki (Conceptor)
Edwards, Jeffrey (Dancer)
Fason, Maydelle (Dancer)
Metzger, Rebecca (Dancer)
Balanchine, George (Choreographer)
Boelzner, Gordon (Instrumentalist)
Horgan, Barbara (Producer)
Tatge, Catherine (Producer)
Brockway, Merrill (Director)
George Balanchine Foundation (Producer)
Tatge/Lasseur Productions (Producer)
Ashley, Merrill (Teacher)
Schorer, Suki (Teacher)

The George Balanchine Foundation Essays Video Archive

Dates / Origin
Date Issued: 1994
Place: New York, NY
Publisher: George Balanchine Foundation, Inc.
Table of Contents
Port de bras -- Rond de jambe jeté -- Battement fondu -- Rond de jambe en l'air -- Battement frappé -- Petit battement sur le cou-de-pied -- Battement serré -- Ballonné battu -- Développé -- Dégagé -- Enveloppé -- Grand rond de jambe -- Grand battement.
Library locations
Jerome Robbins Dance Division
Shelf locator: *MGZIDF 9133
Ballet -- Study and teaching
Barre (Apparatus)
Filmed dance
Instructional films
Creation/production credits: produced by the George Balanchine Foundation, Inc. in association with Tatge/Lasseur Productions, Inc. ; artistic directors, conceived and written by Merrill Ashley and Suki Schorer ; executive producer, Barbara Horgan ; producer, Catherine Tatge ; director, Merrill Brockway.
Content: For The barre, part one, see *MGZIC 9-4790.
Creation/production credits: Musical director and pianist, Gordon Boelzner.
Performers: Instructors: Suki Schorer and Merrill Ashley.
Performers: Demonstrators: Jeffrey Edwards, Maydelle Fason, and Rebecca Metzger.
Date: Recorded on June 28, 1994.
Physical Description
Extent: 1 videocassette (VHS) (48 min., 19 sec.) : sound, color ; 1/2 in.
Drawing upon their experience as principal dancers with George Balanchine's New York City Ballet, Suki Schorer and Merrill Ashley provide a detailed analysis and demonstration of ballet barre exercises, according to the principles of Balanchine technique. Schorer, a longtime teacher at the School of American Ballet, sets exercises intended to help the dancer learn and practice correct form, and both she and Ashley recall images Balanchine used in class to elicit desired movement qualities from the dancers.
Type of Resource
Moving image
NYPL catalog ID (B-number): b12387746
Universal Unique Identifier (UUID): f5042f20-a384-0138-e457-212b204aa05d
Rights Statement
The copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.

Item timeline of events

  • 1994: Issued
  • 2020: Digitized
  • 2023: Found by you!
  • 2024

MLA Format

Jerome Robbins Dance Division, The New York Public Library. "Balanchine essays" The New York Public Library Digital Collections. 1994.

Chicago/Turabian Format

Jerome Robbins Dance Division, The New York Public Library. "Balanchine essays" New York Public Library Digital Collections. Accessed September 29, 2023.

APA Format

Jerome Robbins Dance Division, The New York Public Library. (1994). Balanchine essays Retrieved from

Wikipedia Citation

<ref name=NYPL>{{cite web | url= | title= (moving image) Balanchine essays, (1994) |author=Digital Collections, The New York Public Library |accessdate=September 29, 2023 |publisher=The New York Public Library, Astor, Lenox, and Tilden Foundations}}</ref>

Balanchine essays