O'Donnell : Master #2, 1983 May 26 Additional title: Interview with May O'Donnell and Ray Green
NamesO'Donnell, May, 1906-2004 (Artistic director)O'Donnell, May, 1906-2004 (Interviewee)Green, Ray, 1908-1997 (Interviewee)O'Donnell-Green Music and Dance Foundation (Donor)
May O'Donnell and Ray Green Video Archive
Dates / OriginDate Created: 1983-05-26Place: New York, NY
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 3213
TopicsO'Donnell, May, 1906-2004Green, Ray, 1908-1997May O'Donnell Concert Dance CompanyModern dance -- Production and directionArtistic collaborationModern dance -- Study and teaching
GenresVideo recordingsFilmed danceFilmed performancesInterviews
NotesStatement of responsibility: Robt. Kanter Productions.Content: Title from original VHS cassette label.Performers: Interviewees, May O'Donnell and Ray Green.Venue: Videotaped at dance studio, New York, N.Y., 1983 May 26.Acquisition: Gift; O'Donnell-Green Music and Dance Foundation; 2012.
Physical DescriptionVideocassetteExtent: 1 videocassette (Umatic) (54 min.) : sound, color ; 3/4 in.
DescriptionMay O'Donnell and Ray Green discuss how they met in 1937 and got involved in dance, the problems encountered while performing with Martha Graham during her first transcontinental tour in 1937, Green composing music for O'Donnell, O'Donnell growing up in California and rehearsing with friends as children, touring with Graham and her own company, importance of Green's music for O'Donnell and her work, Green's piece entitled There is a time for innocence, and how the work was created, how she incorporates music and her voice into her dance classes, making money and working together in the studio at the beginning of their careers during the war, performing at Mills College and dancing with José Limón, creating Suspension after seeing an airplane below her in San Francisco while she was up on a hill, performing with Graham again in the 40s-50s and then establishing her first company, working with dancers and creating movement that looked good on each dancer, the money needed for concerts, and dancers leaving to perform with other choreographers, moving on to teaching, staging Suspension and Energies on companies which led to creating another version of her own company, the joys and problems with maintaining a dance company, how dance has gotten off track regarding structured choreographic works and the problems with the audience connecting to it, trouble getting dance out to the public which makes it difficult to raise money to pay dancers, young dancers living and moving to New York City, and the connection that O'Donnell and Green still have after all these years.
Type of ResourceMoving image
IdentifiersRLIN/OCLC: 968935596NYPL catalog ID (B-number): b21152480Universal Unique Identifier (UUID): 96610110-fb8f-0134-8d54-2bdd96c526e7
Rights StatementThe copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
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