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Dramitse Nga Cham, Nyimalung Trenda: Chamjug, Rehearsal Day [Wide shot]

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Dramitse Nga Cham, Nyimalung Trenda: Chamjug, Rehearsal Day [Wide shot]

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Title
Dramitse Nga Cham, Nyimalung Trenda: Chamjug, Rehearsal Day [Wide shot]
Additional title: Drum Dance of Dramitse
Names
Core of Culture (Organization) (Producer)
Core of Culture (Organization) (Donor)
Collection

Bhutan Dance Project, Core of Culture

Dates / Origin
Date Created: 2005
Library locations
Jerome Robbins Dance Division
Shelf locator: *MGZIDF 848A
Topics
Dance -- Bhutan
Dance -- Religious aspects -- Buddhism
Rites & ceremonies -- Bhutan
Dzongs -- Bhutan -- Bumthang (District)
Bumthang (Bhutan : District)
Festivals -- Bhutan
Ritual and ceremonial dancing -- Bhutan
Drum dances -- Bhutan
Genres
Filmed dance
Filmed performances
Notes
Additional physical form: For close shot version, see: *MGZIDF 848B.
Content: Nyimalung Trenda in 2005, Day One: June 15, 2005, Chamjug Rehearsal Day: Shinjey Phomo - Dance of the Lord of Death and his Consort ; Shazam - Dance of the Four Stags ; Chipdril - Entry Procession ; Zhanag Cham - Dance of the Black Hats ; Durdag - Dance of the Four Lords of Charnel ; Dramitse Nga Cham.
Venue: Videotaped in performance at the Nyimalung Dratsang, in Bumthang, Bhutan (upper balcony looking along right diagonal of arena), on June 15, 2005.
Acquisition: Gift; Core of Culture. NN-PD
Biographical/historical: Nyimalung Trenda is held for three days on the 8th to the 10th day of the 5th Bhutanese month. The final blessing day coincides with the anniversary of the Birth of Guru Rinpoche. A Chamjug or rehearsal day is held on the 7th day of the Lunar month.
Physical Description
Born digital
Extent: 1 video file (74 min.) : sound, color
Description
Dramitse Nga Cham/Drum Dance of Dramitse is perhaps the most famous dance in the entire country of Bhutan. The Dramitse Nga Cham dates back to the 15th Century, when Ani Chorten Zangmo, of Bumthang, was supposed to marry the son of the Chhokkor Deb. However, she refused to take this path, preferring instead to pursue a spiritual and contemplative life, and so she became a nun. Her uncle, the great Terton Pema Lingpa, gave her a white Conch shell and prophesied that her destiny would lie in that place where the Conch produced its most beautiful sound. The nun set off travelling to the South-east, beyond Kurtoe Aja (a place very sacred to the memory of Guru Rinpoche) until she came to a small Goenpa (or temple) called Dupchu Goenpa in a place that was called Bramitse (the hill where no one lives). On blowing the conch shell there, she produced a most pleasing musical sound, and decided that this would indeed be a favourable place to reside so she renamed the place Dramitse the hill free of enemies (Dra - Dzk. means enemy; Mi - Dzk. means No and Tse - Dzk. means hill. ) The younger brother of Ani Chorten Zangmo, Kunga Gyaltshen (also known as Kunga Nyingpo or Kunga Wangpo) was a learned Lama, who often visualised Guru Rinpoche in his meditations. Through his intense powers of concentration he was able to travel to Zangdo Pelrhi (the Glorious Copper-Coloured Mountain Paradise) which is the abode of Guru Rinpoche. There, on one such visit, the Lama was amazed to see the heavenly attendants of Guru Rinpoche transform themselves into one hundred wrathful and peaceful deities and perform an exquisite dance. In their left hand they held large drums, which they beat with drumsticks held in their right hands as they performed the intricate movements of the dance. The Lama understood that Guru Rinpoche's intention was to demonstrate to him how the medium of dance could be used to deliver very powerful messages to human beings and instruct them about the deeper mysteries of faith. When he returned to Dramitse he was able to compose a simulacrum of the dance he had seen, and he also worked into the composition elements of other drum dances revealed by other great tertons (treasure revealers) such as Sangye Lingpa and Ugyen Lingpa. This was the dance that was performed at the consecration of the Temple eventually built at Dramitse, a few hours walk from the original Dupchu Goenpa. The result was the establishment of the tradition of the Drum Dance of Dramitse, which was, for many centuries only ever performed in Dramitse, the place of its origin, in Mongar Dzongkhag. However, later in the twentieth Century, this famous dance began to spread around the country, as it became a much-favoured item and was introduced to many other religious festivals, as dancers from Dramitse carried it with them and taught it in other places. One of the effects of this rapid distribution was that the original dance which took some three hours to perform and was divided into 21 Sections was never performed in its entirety elsewhere and indeed different and shorter versions began to proliferate with steps and movements diverging from the original. The original version sees sixteen dancers wearing a variety of animal masks including an Owl, a Garuda, (Ja Chung) a Bear, a Leopard and the twelve animals of the Bhutanese horoscope. Each of the dancers carries a drum in his right hand, with the exception of the Champoen (dance leader) who carries a small pair of cymbals which provide timing clues to the other dancers. The original dance also included a fifteen-minute ceremony during which the local people would made offerings of the traditional khadar (white scarf) to the dancers. Core of Culture has so far not had the opportunity to witness the dance performed in Dramitse itself, and the many versions of the Dramitse Drum dance that have been recorded for this database are therefore performed by other groups. However, in early 2007, during a special meeting of the different Peling dance traditions organised by Core of Culture at the Yungdrung Choeling Dzong (a place sacred to the memory of Pema Lingpa) a group of eight dancers from Dramitse, who attended that convention, performed the whole of the original 21-Section version, for the first time ever away from the original courtyard of Dramitse. [There is a single recording of this dance within the Bhutan Dance Access database at BDA 649.7].
Type of Resource
Moving image
Identifiers
NYPL catalog ID (B-number): b19893897
Universal Unique Identifier (UUID): 11da1a40-e509-0130-1268-3c075448cc4b
Copyright Notice
Core of Culture
Rights Statement
This item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).

Item timeline of events

  • 2005: Created
  • 2013: Digitized
  • 2019: Found by you!
  • 2020

MLA Format

Jerome Robbins Dance Division, The New York Public Library. "Dramitse Nga Cham" The New York Public Library Digital Collections. 2005. http://digitalcollections.nypl.org/items/153b9060-e509-0130-c015-3c075448cc4b

Chicago/Turabian Format

Jerome Robbins Dance Division, The New York Public Library. "Dramitse Nga Cham" New York Public Library Digital Collections. Accessed July 19, 2019. http://digitalcollections.nypl.org/items/153b9060-e509-0130-c015-3c075448cc4b

APA Format

Jerome Robbins Dance Division, The New York Public Library. (2005). Dramitse Nga Cham Retrieved from http://digitalcollections.nypl.org/items/153b9060-e509-0130-c015-3c075448cc4b

Wikipedia Citation

<ref name=NYPL>{{cite web | url=http://digitalcollections.nypl.org/items/153b9060-e509-0130-c015-3c075448cc4b | title= (moving image) Dramitse Nga Cham, (2005) }} |author=Digital Collections, The New York Public Library |accessdate=July 19, 2019 |publisher=The New York Public Library, Astor, Lennox, and Tilden Foundation}}</ref>

Dramitse Nga Cham