TitleInterview with Luis Fuentes, 1969
Additional title: Selma Jeanne Cohen Papers of Dance Perspectives
NamesFuente, Luis (Interviewee)Cohen, Selma Jeanne, 1920-2005 (Interviewer)
CollectionDance Audio Archive
Dates / OriginDate Created: 1969-12-03
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZTCO 3-3005
TopicsFuente, LuisBarnes, Clive, 1927-2008Joffrey BalletThree-cornered hat (Choreographic work : Massine)Petrouchka (Choreographic work : Lazowsky after Fokin)Fanfarita (Choreographic work : Arpino)
GenresInterviews
NotesVenue: Recorded by Selma Jeanne Cohen for an article in the Dance Perspectives Journal #40: The Male Image, published winter 1969. Separated from the Selma Jeanne Cohen Papers of Dance Perspectives (S)*MGZMD 56 : open to the public. December 3, 1969 New York (N.Y.).Funding: The conservation and cataloging of this recording was made possible in part by the Barbara Goldsmith Conservation Division of the New York Public Library as well as the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The support of the National Endowment for the Arts is also gratefully acknowledged.Citation/reference: Separated from the Selma Jeanne Cohen Papers of Dance Perspectives (S)*MGZMD 56.
Physical DescriptionAudiocassetteExtent: 1 audiocassette (approximately 1 hr., 18 min.) : polyester; quarter-trackSound quality is fair to poor. There is extraneous noise including "tape hiss" and occasional short gaps. The speakers' voices are often soft and difficult to understand.
DescriptionInterview with Luis Fuente conducted by Selma Jeanne Cohen in New York City on December 3, 1969 as the basis for an article in the Dance Perspectives Journal #40: The Male Image, published winter 1969.
Streaming file 1 (approximately 57 minutes). Luis Fuente speaks with Selma Jeanne Cohen about dancing and masculinity including whether some steps are better suited to women; performing in Leonide Massine's Three-cornered hat including Clive Barnes' criticism of Fuente's Spanish-style dancing; his experience with flamenco dancing; more on Barnes; his admiration for Rudolf Nureyev; his preference generally for dramatic roles and his concern that he connect with the audience; Gerald Arpino's Fanfarita; partnering including the relatively few pas de deux in the [Joffrey Ballet's] repertory; performing the Bluebird [in The sleeping beauty]; the importance of expressiveness as compared with technique; characteristics of the Joffrey Ballet; how moved he was by the performance of Nureyev and Margot Fonteyn in Romeo and Juliet; the difficulty of the choreography in Balanchine's Donizetti variations; his relationship with the audience [ends abruptly but continues on streaming file 2].
Streaming file 2 (approximately 21 minutes). Luis Fuente speaks with Selma Jeanne Cohen about expressiveness in performance; music as requisite for him to perform; an anecdote about Leonide Massine's comment on Fuente's dancing in [Gerald Arpino's] Fanfarita; his experience dancing for Antonio's company [Antonio y los Ballets de Madrid]; the role of Petrouchka [Lazowsky after Fokin, for the Joffrey Ballet].
Type of ResourceSound recording
LanguagesEnglish
IdentifiersRLIN/OCLC: 907391694NYPL catalog ID (B-number): b20601225Universal Unique Identifier (UUID): 20071b80-b8bc-0133-9f74-60f81dd2b63c
Rights StatementThe copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
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