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Zhanag Cham, Nyimalung Trenda: Chamjug, Rehearsal Day [Wide shot]

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Zhanag Cham, Nyimalung Trenda: Chamjug, Rehearsal Day [Wide shot]

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Title
Zhanag Cham, Nyimalung Trenda: Chamjug, Rehearsal Day [Wide shot]
Additional title: Dance of the Black Hats
Names
Core of Culture (Organization) (Producer)
Core of Culture (Organization) (Donor)
Collection

Bhutan Dance Project, Core of Culture

Dates / Origin
Date Created: 2005
Library locations
Jerome Robbins Dance Division
Shelf locator: *MGZIDF 682A
Topics
Dance -- Bhutan
Folk dancing -- Bhutan
Dance -- Religious aspects -- Buddhism
Rites & ceremonies -- Bhutan
Festivals -- Bhutan
Dzongs -- Bhutan -- Bumthang (District)
Bumthang (Bhutan : District)
Genres
Filmed dance
Filmed performances
Notes
Content: Nyimalung Trenda in 2005, Day One: 15th/6/2005, Chamjug Rehearsal Day: Shinjey Phomo - Dance of the Lord of Death and his Consort ; Shazam - Dance of the Four Stags ; Chipdril - Entry Procession ; Zhanag Cham - Dance of the Black Hats ; Durdag - Dance of the Four Lords of Charnel ; Dramitse Nga Cham.
Venue: Videotaped in rehearsal at the Nyimalung Dratsang (upper balcony looking along right diagonal of arena), in Bumthang, on June 15, 2005.
Acquisition: Gift; Core of Culture. NN-PD
Physical Description
Born digital
Extent: 1 video file (ca. 35 min.) : sound, color
Description
The Black Hat dances comprise a cycle of sacred Tibetan dances, which are said to have their source in the dance by which the Tibetan monk Llhalung Pel-Ki Dorji sought to distract the anti-Buddhist, Tibetan King, Langdarma, before pulling a bow and arrow from the copious sleeves of his costume and assassinating him in A.D. 842. The dances are performed with the ritual intention of subjugating and destroying evil and are also used as rites to purify the ground on the occasion of the construction and consecration of stupas, temples and dzongs where the wrathful nature of the dance is seen as frightening malevolent spirits away and wresting control of the site back from their power. The colourful costume of the Black Hat dances, comprising a large black hat covered in magical symbols, (hexagrams, lensa glyphs, mirrors, peacock feathers etc.) rich brocade silk gowns, vajra collars (dorji gong) boots, scarves and a particular apron displaying the wrathful face of one of the emanations of Mahakala known as a Thro-Zhey (literally, wrathful face) are completed by a set of ritual implements carried in each hand. These may vary, but most commonly include a phurba attached to scarves held in the right hand, and a skull-cap decorated with cowrie shells held in the left. The costume identifies the black hat dancers as being powerful yogis (sorcerers or magicians) who s origin shades back into more ancient, pre-Buddhist times. The dancers are said to pound the earth with their thunderbolt steps marking out the sacred geometric figure of a mandala on the ground, whilst their hands create mystical gestures or mudra known as gar based upon traditional tantric texts. As the ritual continues, the evil spirits who are present are attracted by the flickering of the scarves and are then captured and held in the linga a torma -surrounded by a triangular case that holds them fast. The climax of the rite sees these evils spirits destroyed by the flashing blade of the phurba wielded by the main dancer, who has entered a state of limitless compassion which is capable of destroying the body of evil at the same time as liberating its spirit. In Bhutan this very sacred dance was performed by the Zhabdrung himself whose wrathful performances of the Zhanag dance are said to have terrified onlookers by the intensity of his execution of this dance. Today these rituals are commemorated at Punakha Drubchen where the chief abbot of the Drukpa school, the Je Khenpho, performs in front of the public dressed in the Black Hat costume. There are many versions of the Black Hat dances, varying from 5 to more than 21 dancers, and the instruments and costumes used will also change depending upon the specific rituals performed.Nyimalung Trenda is held for three days on the 8th to the 10th day of the 5th Bhutanese month. The final blessing day coincides with the anniversary of the Birth of Guru Rinpoche. A Chamjug or rehearsal day is held on the 7th day of the Lunar month.
Type of Resource
Moving image
Identifiers
NYPL catalog ID (B-number): b19774087
Universal Unique Identifier (UUID): 4c602100-8292-0130-d75a-3c075448cc4b
Copyright Notice
Core of Culture
Rights Statement
This item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).

Item timeline of events

  • 2005: Created
  • 2013: Digitized
  • 2020: Found by you!
  • 2021

MLA Format

Jerome Robbins Dance Division, The New York Public Library. "Zhanag Cham" The New York Public Library Digital Collections. 2005. http://digitalcollections.nypl.org/items/4c8a9350-8292-0130-e8f0-3c075448cc4b

Chicago/Turabian Format

Jerome Robbins Dance Division, The New York Public Library. "Zhanag Cham" New York Public Library Digital Collections. Accessed April 10, 2020. http://digitalcollections.nypl.org/items/4c8a9350-8292-0130-e8f0-3c075448cc4b

APA Format

Jerome Robbins Dance Division, The New York Public Library. (2005). Zhanag Cham Retrieved from http://digitalcollections.nypl.org/items/4c8a9350-8292-0130-e8f0-3c075448cc4b

Wikipedia Citation

<ref name=NYPL>{{cite web | url=http://digitalcollections.nypl.org/items/4c8a9350-8292-0130-e8f0-3c075448cc4b | title= (moving image) Zhanag Cham, (2005)|author=Digital Collections, The New York Public Library |accessdate=April 10, 2020 |publisher=The New York Public Library, Astor, Lenox, and Tilden Foundations}}</ref>

Zhanag Cham