TitleGenius on the wrong coast
Additional title: Salome (Choreographic work : Horton)Additional title: Rite of spring (Choreographic work : Horton)Additional title: Conquest (Choreographic work : Horton)Additional title: Beloved (Choreographic work : Horton)Additional title: Another touch of Klee (Choreographic work : Horton)Additional title: Liberian suite (Choreographic work : Horton)Additional title: Prado de pena (Choreographic work : Horton)Additional title: To José Clemente Orozco (Choreographic work : Horton)Additional title: Song of Hiawatha (Choreographic work : Horton)Additional title: Voodoo ceremonial (Choreographic work : Horton)Additional title: Mine (Choreographic work : Horton)Additional title: Flight from reality (Choreographic work : Horton)Additional title: Bolero (Choreographic work : Horton)Additional title: Chronicle (Choreographic work : Horton)
NamesLewitzky, Bella (Interviewee)Spriestersbach, Connie (Interviewee)Talbot-Martin, Elizabeth (Interviewee)Hay, Harry (Interviewee)Balzer, Robert Lawrence (Interviewee)Pierre, Dorathi Bock (Interviewee)Perces, Marjorie B., 1921- (Interviewee)Ailey, Alvin (Interviewee)Reynolds, Newell Taylor (Interviewee)De Lavallade, Carmen, 1931- (Interviewee)Eng, Frank (Interviewee)Trisler, Joyce, 1934-1979 (Interviewee)Handel, Jennifer (Dancer)Goldoni, Lelia (Producer)Horton, Lester, 1906-1953 (Choreographer)Rudelson, Robert (Author)Dance Theatre (Lester Horton) (Dancer)Goldoni, Lelia (Director)Goldoni, Lelia (Narrator)Horton, Lester, 1906-1953 (Dancer)Rudelson, Robert (Narrator)
CollectionGeneral Dance Video Archive
Dates / OriginDate Created: 1993
Table of ContentsDANCE CONTENTS: Among the numerous dance excerpts (b&w except where otherwise noted) are: Lester Horton dancing, ca. 1940 -- Conquest, filmed by Dorothy Gillanders at Mills College, Oakland, California, in 1938 -- White savage (color), released by Universal Pictures in 1943 -- The climax (color), released by Universal Pictures in 1944 -- Ali Baba and the forty thieves (color), released by Universal Pictures in 1944 -- The beloved -- Cumbia -- [Technique demonstration by] Jennifer Handel, filmed in 1990 -- Liberian suite -- [To José Clemente] Orozco, from the series Dedications in our time -- Bamboo alley -- Significant works discussed and/or shown in still photographs include The song of Hiawatha, Bolero, Voodoo ceremonial, Salome (several versions), The mine, Flight from reality, The rite of spring, Chronicle, Another touch of Klee, and Prado de pena.
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 5870Shelf locator: *MGZIC 9-4163 (former)
TopicsHorton, Lester, 1906-1953Modern dance -- TechniqueDance -- Political aspects
GenresInterviewsMotion picturesDocumentary filmsFilmed danceFilmed performances
NotesStatement of responsibility: producer and director, Lelia Goldoni ; co-producers, Adam Soch and Adrian A. Williams ; writer, Robert Rudelson ; editor, Aaron Jack Rudelson.
Physical DescriptionVideocassetteExtent: 2 videocassettes (U-matic) (92 min.) : sound, color with black and white sequences ; 3/4 in.
DescriptionDocumentary on the life and career of modern dancer and choreographer Lester Horton. The wide range of his work, which often addressed social issues; the multicultural nature of the companies he formed in Los Angeles; the development and codification of his technique; and his multiple talents as choreographer, composer, and designer are among the topics discussed within a chronological overview of his activities. Interviews with his dancers, friends, and associates include the viewpoints of Bella Lewitzky, James Truitte, Connie Spriestersbach, Elizabeth Talbot-Martin, Harry Hay, Marge Perces, Alvin Ailey, Carmen de Lavallade, Lelia Goldoni, Robert Lawrence Balzer, Dorathi Bock Pierre, Newell Reynolds, and Frank Eng; Joyce Trisler is quoted from a Dance Magazine interview.
Type of ResourceMoving image
LanguagesEnglish
IdentifiersRLIN/OCLC: NYPY946068447-FNYPL catalog ID (B-number): b12176144Universal Unique Identifier (UUID): 4846e8e0-a9e8-0133-943b-60f81dd2b63c
Rights StatementThe copyright and related rights status of this item has been reviewed by The New York Public Library, but we were unable to make a conclusive determination as to the copyright status of the item. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use.
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