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Dri Cham, Thangbi Mani: Final Day [Wide shot]

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Dri Cham, Thangbi Mani: Final Day [Wide shot]

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Title
Dri Cham, Thangbi Mani: Final Day [Wide shot]
Additional title: Dance of the Ging with Swords
Names
Core of Culture (Organization) (Producer)
Core of Culture (Organization) (Donor)
Collection

Bhutan Dance Project, Core of Culture

Dates / Origin
Date Created: 2005
Library locations
Jerome Robbins Dance Division
Shelf locator: *MGZIDF 735A
Topics
Dance -- Bhutan
Folk dancing -- Bhutan
Dance -- Religious aspects -- Buddhism
Rites & ceremonies -- Bhutan
Masks -- Bhutan
Sword-dance -- Bhutan
Festivals -- Bhutan
Dzongs -- Bhutan -- Bumthang (District)
Bumthang (Bhutan : District)
Ritual and ceremonial dancing -- Bhutan
Mask dances -- Bhutan
Genres
Filmed dance
Filmed performances
Notes
Additional physical form: For close shot version, see: *MGZIDF 735B.
Performers: There are only eight dancers who perform all the dances during the three days of the entire festival.
Biographical/historical: Thangbi Mewang is held for four days, from the 13th to the 16th days of the 8th Bhutanese month.
Content: Thangbi Mani (Day Three, Final Day, Sept. 19, 2005): Shazam - Dance of the Four Stags ; Dri Cham - Dance of the Ging with Swords ; Khandumai Cham - Dance of the Dakinis ; Jakchung Berchung (Although there were other dances in the afternoon we stopped filming after this dance).
Venue: Videotaped in performance in the front courtyard of the Thangbi Lhakhang/Lhendrup Chhoeling Monastery (raised platform outside the courtyard - giving an angled view down across the other diagonal to camera c - facing due west), in Bumthang, on Sept. 19, 2005.
Acquisition: Gift; Core of Culture. NN-PD
Biographical/historical: The Thangbi festival held at Thangbi Lhakhang was founded in 1470 by the fourth Zhamarpa of the Karma Kagyu School of Tibetan Mahayana Buddhism. Located in the north of Choekkhor valley, it takes about 30 minutes walk from the road through the fields of buckwheat to reach the Temple. A small village festival held annually after the harvest of Potato and buckwheat to be thankful for the good harvest. It is also the time to celebrate and to pray that all sentient beings are blessed by invoking the deities through the ritual dances that are performed.
Biographical/historical: The fourth Zhamar Rinpoche of the Karmapa School came to Bumthang from Tibet in the 15th Century in order to establish a monastery and in 1470 he founded Thangbi Lhakhang, located in the middle of a wide fertile plateau overlooking the river. Following a quarrel with Pema Lingpa, Zhamar Rinpoche had to leave Thangbi. The iron curtain hanging in the entrance is said to have been forged by Pema Lingpa himself, who took over the monastery.
Physical Description
Born digital
Extent: 1 video file (31 min.) : sound, color
Description
Sword Dance -- The Peling Ging-Sum (the three dances of the Ging in the Pema Lingpa tradition) are three dances that are performed around the country in a particular sequence. The Ging-Sum comprises three dances: Jug Ging, Dri Ging and Nga Ging which show the forces of good in direct combat with evil spirits who plague living beings with their constant suasions to commit wrong. Jug means baton or wand and the Jug Ging are spirits tasked to search out the prtesence of evil (using their wands as sensitive instruments to find out the direction in which evil lies). The Dri Ging - who carry swords - subjugate evil with their weapons before punishing and slaying (with compassion) any such evil spirits found. The Nga-ging - who each carry a drum - perform a victory dance at having overcome the evil spirits, and also ensure that even those conquered evil spirits are still prayed for and ultimately liberated from their evil ways. These three dances are considered to have been reveled by Terton Pema Lingpa in the 16th Century - and they are thus known as ter-cham or (revealed) treasure dances. They express a coherent choreographic and dramatic intention on the great Saint s part. They are most often performed together with nyulemai cham (Dance of the Evil Spirit) which serves as an active and visible reference to the existence of evil in the world - and the nyulema is often captured and dispatched by the Jug bearing Ging of the first of these dances.
Type of Resource
Moving image
Identifiers
NYPL catalog ID (B-number): b19803405
Universal Unique Identifier (UUID): 901980a0-e505-0130-3c87-3c075448cc4b
Copyright Notice
Core of Culture
Rights Statement
This item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).

Item timeline of events

  • 2005: Created
  • 2013: Digitized
  • 2020: Found by you!
  • 2021

MLA Format

Jerome Robbins Dance Division, The New York Public Library. "Dri Cham" The New York Public Library Digital Collections. 2005. https://digitalcollections.nypl.org/items/92c0b420-e505-0130-e3b7-3c075448cc4b

Chicago/Turabian Format

Jerome Robbins Dance Division, The New York Public Library. "Dri Cham" New York Public Library Digital Collections. Accessed November 27, 2020. https://digitalcollections.nypl.org/items/92c0b420-e505-0130-e3b7-3c075448cc4b

APA Format

Jerome Robbins Dance Division, The New York Public Library. (2005). Dri Cham Retrieved from https://digitalcollections.nypl.org/items/92c0b420-e505-0130-e3b7-3c075448cc4b

Wikipedia Citation

<ref name=NYPL>{{cite web | url=https://digitalcollections.nypl.org/items/92c0b420-e505-0130-e3b7-3c075448cc4b | title= (moving image) Dri Cham, (2005)|author=Digital Collections, The New York Public Library |accessdate=November 27, 2020 |publisher=The New York Public Library, Astor, Lenox, and Tilden Foundations}}</ref>

Dri Cham