CRWDSPCR: a filmAdditional title: CRWDSPCR (Choreographic work : Cunningham)
NamesCunningham, Merce (Creator)Cunningham, Merce (Choreographer)Atlas, Charles (Director)Andrieux, Cédric (Dancer)Bokaer, Jonah (Dancer)Boudreau, Lisa (Dancer)Collwes, Brandon (Dancer)Cunningham, Julie Dawn (Dancer)Desjardins, Emma (Dancer)Farmer, Holley (Dancer)Goggans, Jennifer (Dancer)Mitchell, Rashaun (Dancer)Mizuta, Koji (Dancer)Munnerlyn, Marcie (Dancer)Squire, Daniel S (Dancer)Weber, Andrea Michelle, 1975- (Dancer)King, John, 1953 November 28- (Composer)Lancaster, Mark, 1938- (Designer)Lancaster, Mark, 1938- (Costume designer)Lancaster, Mark, 1938- (Lighting designer)Merce Cunningham Dance Company (Presenter)
Merce Cunningham Video Archive
Dates / OriginDate Created: 2008
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 4490
GenresFilmed danceFilmed performances
NotesContent: Title, statement of responsibility and credits appear on-screen at the beginning of video.Creation/production credits: Music (Blues '99) by John King; decor, costumes and lighting by Mark Lancaster.Venue: Recorded 2008 location not identified.Acquisition: Gift; Merce Cunningham Dance Foundation, 2011-2012.
Physical DescriptionBorn digitalExtent: 1 video file (30 min.) : sound, color
DescriptionFrom Electronic Arts Intermix website (http://www.eai.org/title.htm?id=15088) accessed on 2/19/2015: "Atlas records a late-2000's revival performance of the 1993 dance CRWDSPCR, which Merce Cunningham choreographed using the choreographic software program LifeForms. In program notes to a performance of the dance, Cunningham suggested that the vowel-less title, pronounced either 'crowd spacer' or 'crowds pacer,' referred to the way in which technology both crowded space and quickened the pace of daily life. Atlas's camera mimics a computer screen by maintaining an objective, static frame and rarely zooming in on particular dancers, notably making an intimate approach during the long, slow solo that contrasts with the dance's overall frenetic, staccato paces. A blue screen that forms the backdrop for the dance is traversed by a full company of dancers, who wear multi-colored leotards resembling harlequin computer pixels or digital grids. Cunningham's stage organization also permits the viewer to focus his or her attention on any of several groupings of moving dancers, much as one would when working on a computer with several windows open simultaneously. In this way, CRWDSPCR merges Cunninham's vision of a decentered organization of the stage with his use of the computer as a conceptual extension of chance-generated decision-making."
Type of ResourceMoving image
IdentifiersRLIN/OCLC: 904257462NYPL catalog ID (B-number): b20539391Universal Unique Identifier (UUID): a16c5390-4b48-0133-d307-60f81dd2b63c
Rights StatementThis item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
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