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Zhanag Cham, Nabji Drup, Day Five

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Zhanag Cham

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Title
Zhanag Cham, Nabji Drup, Day Five
Additional title: Dance of the Black Hats
Names
Core of Culture (Organization) (Producer)
Core of Culture (Organization) (Donor)
Collection

Bhutan Dance Project, Core of Culture

Dates / Origin
Date Created: 2005
Library locations
Jerome Robbins Dance Division
Shelf locator: *MGZIDF 761
Topics
Dance -- Bhutan
Folk dancing -- Bhutan
Dance -- Religious aspects -- Buddhism
Rites & ceremonies -- Bhutan
Festivals -- Bhutan
Dzongs -- Bhutan -- Trongsa
Trongsa (Bhutan : District)
Ritual and ceremonial dancing -- Bhutan
Hat dances -- Bhutan
Genres
Filmed dance
Filmed performances
Notes
Source characteristics: Poor visual quality; very dark.
Content: The Nabji Drup begins after dark with the entrance of the GAPO-LA - the oldest man - who carries a phallus and engages in lewd banter with the audience.
Content: Nabji Drup, Fifth Day (Dec. 28, 2005): Raksha Mangcham - Dance of the Judgement of the Dead ; Zhanag Cham - Dance of the Black Hats. This last dance began to shade into darkness after the long drama of Raksha Mangcham had taken most of the rest of the day.
Venue: Videotaped in performance at the Nabji Lhakang (courtyard looking along left diagonal towards the Lhakang), in Trongsa, on Dec. 28, 2005.
Acquisition: Gift; Core of Culture. NN-PD
Biographical/historical: The festival is held in honor of Guru Rinpoche, the saint who introduced Buddhism in the 8th century and to commemorate the establishment of the Nabji temple. -- Bhutan Travel Club website.
Physical Description
Born digital
Extent: 1 video file (ca. 1 min.) : sound, color
Description
Last dance of the day - in semi-darkness - and for us the last dance of the Nabji Drup - also the last dance that we will film in 2005! Interesting to see the community parading around to receive blessings from the Black Hat Dancers in the middle of the piece. (is this Dorling Zhanag Cham - one of the seven Dorling dances?). The Black Hat dances comprise a cycle of sacred Tibetan dances, which are said to have their source in the dance by which the Tibetan monk Llhalung Pel-Ki Dorji sought to distract the anti-Buddhist, Tibetan King, Langdarma, before pulling a bow and arrow from the copious sleeves of his costume and assassinating him in A.D. 842. The dances are performed with the ritual intention of subjugating and destroying evil and are also used as rites to purify the ground on the occasion of the construction and consecration of stupas, temples and dzongs where the wrathful nature of the dance is seen as frightening malevolent spirits away and wresting control of the site back from their power. The colourful costume of the Black Hat dances, comprising a large black hat covered in magical symbols, (hexagrams, lensa glyphs, mirrors, peacock feathers etc.) rich brocade silk gowns, vajra collars (dorji gong) boots, scarves and a particular apron displaying the wrathful face of one of the emanations of Mahakala known as a Thro-Zhey (literally, wrathful face) are completed by a set of ritual implements carried in each hand. These may vary, but most commonly include a phurba attached to scarves held in the right hand, and a skull-cap decorated with cowrie shells held in the left. The costume identifies the black hat dancers as being powerful yogis (sorcerers or magicians) who s origin shades back into more ancient, pre-Buddhist times. The dancers are said to pound the earth with their thunderbolt steps marking out the sacred geometric figure of a mandala on the ground, whilst their hands create mystical gestures or mudra known as gar based upon traditional tantric texts. As the ritual continues, the evil spirits who are present are attracted by the flickering of the scarves and are then captured and held in the linga a torma -surrounded by a triangular case that holds them fast. The climax of the rite sees these evils spirits destroyed by the flashing blade of the phurba wielded by the main dancer, who has entered a state of limitless compassion which is capable of destroying the body of evil at the same time as liberating its spirit. In Bhutan this very sacred dance was performed by the Zhabdrung himself whose wrathful performances of the Zhanag dance are said to have terrified onlookers by the intensity of his execution of this dance. Today these rituals are commemorated at Punakha Drubchen where the chief abbot of the Drukpa school, the Je Khenpho, performs in front of the public dressed in the Black Hat costume. There are many versions of the Black Hat dances, varying from 5 to more than 21 dancers, and the instruments and costumes used will also change depending upon the specific rituals performed.
Type of Resource
Moving image
Identifiers
NYPL catalog ID (B-number): b19808618
Universal Unique Identifier (UUID): ba2095c0-e377-0130-f655-3c075448cc4b
Copyright Notice
Core of Culture
Rights Statement
This item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).

Item timeline of events

  • 2005: Created
  • 2013: Digitized
  • 2024: Found by you!
  • 2025

MLA Format

Jerome Robbins Dance Division, The New York Public Library. "Zhanag Cham" The New York Public Library Digital Collections. 2005. https://digitalcollections.nypl.org/items/bb9c9c20-e377-0130-175c-3c075448cc4b

Chicago/Turabian Format

Jerome Robbins Dance Division, The New York Public Library. "Zhanag Cham" New York Public Library Digital Collections. Accessed July 20, 2024. https://digitalcollections.nypl.org/items/bb9c9c20-e377-0130-175c-3c075448cc4b

APA Format

Jerome Robbins Dance Division, The New York Public Library. (2005). Zhanag Cham Retrieved from https://digitalcollections.nypl.org/items/bb9c9c20-e377-0130-175c-3c075448cc4b

Wikipedia Citation

<ref name=NYPL>{{cite web | url=https://digitalcollections.nypl.org/items/bb9c9c20-e377-0130-175c-3c075448cc4b | title= (moving image) Zhanag Cham, (2005)|author=Digital Collections, The New York Public Library |accessdate=July 20, 2024 |publisher=The New York Public Library, Astor, Lenox, and Tilden Foundations}}</ref>

Zhanag Cham