Fig. 46 : To study the lines that characterize weeping, with feelings of pity, in and old man (also shown in Fig. 3, 6, 7, 8, 9, 12, 13, 14, 17, 18, 19, 20, 21, 22, 30, 33, 34, 37, 38, 39, 43, 44, 45).

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Title
Fig. 46 : To study the lines that characterize weeping, with feelings of pity, in and old man (also shown in Fig. 3, 6, 7, 8, 9, 12, 13, 14, 17, 18, 19, 20, 21, 22, 30, 33, 34, 37, 38, 39, 43, 44, 45).
Names
Duchenne, G.-B. (Guillaume-Benjamin) (1806-1875) (Author)
Collection

Mécanisme de la physionomie humaine; où, Analyse électro-physiologique de l'expression des passions, par G.-B. Duchenne (de Boulogne) [plates]

Dates / Origin
Date Issued: 1876
Place: Paris
Publisher: J.-B. Baillière
Edition: 2. éd.
Library locations
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection
Shelf locator: MFZ (Duchenne) 96-4292 (Atlas)
Shelf locator: 111PH056.045
Topics
Physiognomy
Electrophysiology
Notes
Content: 2. éd. accompagnée de 9 planches photographiées représentant 144 figures et d'un frontispice.
Content: "Mécanisme de la Physionomie Humaine."; "Fig 46"; "Duchenne (de Boulogne), phot."; and "Publié par J.-B. Baillière et fils." printed on mount recto. Astor Library stamp on mount verso.
Physical Description
Extent: Print Size: 4 11/16 x 3 9/16 in. (11.9 x 9.1 cm) Mat / Mount: 10 5/16 x 6 1/8 in. (26.2 x 15.5 cm), chipped edges
Type of Resource
Still image
Identifiers
NYPL catalog ID (B-number): b13951763
Universal Unique Identifier (UUID): 43980830-c6d3-012f-a962-58d385a7bc34
Rights Statement
The New York Public Library is interested in learning more about items you've seen on our websites or elsewhere online. If you have any more information about an item or its copyright status, we want to hear from you. Please contact DigitalCollections@nypl.org with your contact information and a link to the relevant content.

Item timeline of events

  • 1806: Creator Born
  • 1875: Creator Died
  • 1876: Issued (Approximate)
  • 2013: Digitized
  • 2016: Found by you!
  • 2017

MLA Format

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. "Fig. 46 : To study the lines that characterize weeping, with feelings of pity, in and old man (also shown in Fig. 3, 6, 7, 8, 9, 12, 13, 14, 17, 18, 19, 20, 21, 22, 30, 33, 34, 37, 38, 39, 43, 44, 45)." The New York Public Library Digital Collections. 1876. http://digitalcollections.nypl.org/items/aa16d2ae-75b3-3443-e040-e00a18067692

Chicago/Turabian Format

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. "Fig. 46 : To study the lines that characterize weeping, with feelings of pity, in and old man (also shown in Fig. 3, 6, 7, 8, 9, 12, 13, 14, 17, 18, 19, 20, 21, 22, 30, 33, 34, 37, 38, 39, 43, 44, 45)." New York Public Library Digital Collections. Accessed September 29, 2016. http://digitalcollections.nypl.org/items/aa16d2ae-75b3-3443-e040-e00a18067692

APA Format

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. (1876). Fig. 46 : To study the lines that characterize weeping, with feelings of pity, in and old man (also shown in Fig. 3, 6, 7, 8, 9, 12, 13, 14, 17, 18, 19, 20, 21, 22, 30, 33, 34, 37, 38, 39, 43, 44, 45). Retrieved from http://digitalcollections.nypl.org/items/aa16d2ae-75b3-3443-e040-e00a18067692

Wikipedia Citation

<ref name=NYPL>{{cite web | url=http://digitalcollections.nypl.org/items/aa16d2ae-75b3-3443-e040-e00a18067692 | title= (still image) Fig. 46 : To study the lines that characterize weeping, with feelings of pity, in and old man (also shown in Fig. 3, 6, 7, 8, 9, 12, 13, 14, 17, 18, 19, 20, 21, 22, 30, 33, 34, 37, 38, 39, 43, 44, 45)., (1876) }} |author=Digital Collections, The New York Public Library |accessdate=September 29, 2016 |publisher=The New York Public Library, Astor, Lennox, and Tilden Foundation}}</ref>

Fig. 46 : To study the lines that characterize weeping, with feelings of pity, in and old man (also shown in Fig. 3, 6, 7, 8, 9, 12, 13, 14, 17, 18, 19, 20, 21, 22, 30, 33, 34, 37, 38, 39, 43, 44, 45).