TitlePolka and mazurka
Additional title: PolkaAdditional title: Mazurka
NamesImprimerie Lemercier et cie (Printer of plates)
CollectionPrints depicting dance
Theatrical dancers, singly or in pairs
Dates / OriginDate Issued: 1840 - 1849 (Approximate)Place: ParisPlace: LondonPublisher: Anaglyphic Company
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZFX Pol 9-10
TopicsPolka (Dance)Ballroom dancing -- 19th century
GenresPrints
NotesStatement of responsibility: Imp. Lemercier.Title devised by cataloger.Biographical/historical: The polka enjoyed enormous popularity both as a dance and a musical form. Although opinions about its origins differ, it is believed to have roots in Poland or Bohemia. It was brought to Prague in 1837 and made its way to Vienna, St. Petersburg, Paris, and London. Capitalizing on its growing popularity as a ballroom dance, Jules Perrot and Carlotta Grisi introduced it to the ballet stage in 1844. In the mid 1800s, it rivalled the waltz as a dance craze. It has survived into the twenty-first century, and until 2009 was included as a category in the Grammy Awards.Biographical/historical: The mazurka, which became popular as a ballroom dance in mid-nineteenth century Europe, had its roots in the Polish folk dance called the mazurek. Originally a lively dance in triple meter, the mazurka became popular in many countries and across many years, both as a dance and a musical form.
Physical DescriptionLithographsExtent: 2 prints : lithograph, hand-colored ; 50 x 35 cm. or smaller.
DescriptionTwo sheets, each containing nine rectangular images measuring 13 x 11 cm. The sheet headed "La mazurka" depicts three different variations of the dance, performed by couples in different costumes: the mazurka a l'Opéra, the mazurka des salons, and the mazurka nationale. On the sheet headed "La polka," the men are identically dressed but the women wear dresses varying in cut, length, color, or pattern. The nine images, however, appear to depict different movements in the dance: la promenade, la valse, la valse roulée, pas bohémien, la poursuite, le dos à dos, le moulinet, pas bohémien en valsant, and la passe.
Type of ResourceStill imageText
LanguagesFrench
IdentifiersRLIN/OCLC: 825769898NYPL catalog ID (B-number): b19760314Universal Unique Identifier (UUID): a19ad880-89be-0134-6c14-00505686a51c
Rights StatementThe New York Public Library believes that this item is in the public domain under the laws of the United States, but did not make a determination as to its copyright status under the copyright laws of other countries. This item may not be in the public domain under the laws of other countries. Though not required, if you want to credit us as the source, please use the following statement, "From The New York Public Library," and provide a link back to the item on our Digital Collections site. Doing so helps us track how our collection is used and helps justify freely releasing even more content in the future.
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