White Oak Dance Project: Past Forward, UC Berkeley, 2000-11-01Additional title: Scramble (Choreographic work : Forti)Additional title: Huddle (Choreographic work : Forti)Additional title: Chair dance (Choreographic work : Gordon)Additional title: Matter (Choreographic work : Gordon)Additional title: Satisfyin lover (Choreographic work : Paxton)Additional title: Flat (Choreographic work : Paxton)Additional title: Exit (Choreographic work : Hay)Additional title: Whizz (Choreographic work : Hay)Additional title: Chair/pillow (Choreographic work : Rainer)Additional title: Trio A (Choreographic work : Rainer)Additional title: Homemade (Choreographic work : Brown)Additional title: Foray forêt (Choreographic work : Brown)Additional title: Concerto (Choreographic work : Childs)
NamesBaryshnikov, Mikhail, 1948- (Narrator)Baryshnikov, Mikhail, 1948- (Dancer)Aedo, Raquel (Dancer)Brdnik, Tadej (Dancer)Coates, Emily (Dancer)LeBlanc, Rosalynde (Dancer)Lomeka, Michael (Dancer)Phuon, Emmanuèle (Dancer)Forti, Simone (Choreographer)Forti, Simone (Interviewee)Gordon, David, 1936- (Director)Gordon, David, 1936- (Choreographer)Gordon, David, 1936- (Interviewee)Paxton, Steve (Choreographer)Paxton, Steve (Interviewee)Hay, Deborah, 1941- (Choreographer)Hay, Deborah, 1941- (Interviewee)Rainer, Yvonne, 1934- (Choreographer)Rainer, Yvonne, 1934- (Interviewee)Brown, Trisha, 1936- (Choreographer)Brown, Trisha, 1936- (Interviewee)Childs, Lucinda (Choreographer)Childs, Lucinda (Interviewee)Dickert, Les (Lighting designer)Brown, Spencer (Lighting designer)Cornwell, Eric (Lighting designer)Rauschenberg, Robert, 1925-2008 (Costume designer)Masset, Anne (Costume designer)Lucier, Alvin (Composer)Atlas, Charles (Film producer)Turner, Tina (Performer)White Oak Dance Project (Dancer)University of California, Berkeley (Presenter)Ike and Tina Turner Revue (Performer)
Mikhail Baryshnikov Video Archive
Dates / OriginDate Created: 2000-11-01
Table of ContentsVolume I: Scramble (Simone Forti, choreographer) -- Chair (David Gordon, choreographer; John Philip Sousa, composer ) -- Satisfyin' Lover (Steve Paxton, choreographer) -- Flat (Steve Paxton, choreographer) -- Exit (Deborah Hay, choreographer; Samuel Barber, composer) -- Whizz (Deborah Hay, choreographer; Alvin Lucier, composer) -- Volume II: Huddle (Simone Forti, choreographer) -- Chair/Pillow (Yvonne Rainer, choreographer; Les Dickert, lighting designer; Tina Turner, performer) -- Homemade (Trisha Brown, choreographer) -- Foray Forêt (Trisha Brown, choreographer; Robert Rauschenberg, costume designer; Spencer Brown, lighting designer) -- Trio A (Yvonne Rainer, choreographer) -- The Matter (David Gordon, choreographer; Ludwig Minkus, composer) -- Concerto (Lucinda Childs, choreographer; Eric Cornwell, lighting designer; Anne Masset, costume designer; Henryk Góreck, composer)
Library locationsJerome Robbins Dance DivisionShelf locator: *MGZIDF 133
TopicsDanceBaryshnikov, Mikhail, 1948-White Oak Dance ProjectSousa, John Philip, 1854-1932. Stars and stripes foreverBarber, Samuel, 1910-1981. Quartets, violins (2), viola, cello, no. 1, op. 11, B minor. AdagioMinkus, L., 1826-1917. BayadèreGórecki, Henryk Mikołaj, 1933-2010. Concertos, harpsichord, string orchestra, op. 40
GenresFilmed performancesFilmed danceMusicInterviews
NotesContent: Title and date transcribed from videocassette label.Content: Poor visual quality.Content: Audio track begins at 10:11 on Volume I.Venue: Recorded 2000 November 1 University of California at Berkeley.Acquisition: Gift; Mikhail Baryshnikov, 2011.
Physical DescriptionVideocassetteExtent: 2 videocassettes (VHS) (150 min.) : sound with silent sequences, color ; 1/2 in.
DescriptionMikhail Baryshnikov and White Oak Dance Project perform Past Forward, a retrospective and celebration of Judson Dance. Live works alternate with video sequences, created by Charles Atlas and narrated by Baryshnikov. The video (in Volume I) depicts a brief history of the Judson via stills and interviews, then each live work is bracketed with a quick description by its choreographer. Public participation is part of the program: local dancers, students, and community members take part in several works. Poor overall visual quality. While audio track is available for the video segments and pre-recorded music, there is no recorded sound for the audience or onstage activity. This is most noticeable in "Chair", since Raquel Aedo and Emmanuèle Phuon traditionally hum or sing "Stars and Stripes Forever" in the last part of their performance.
Type of ResourceMoving image
IdentifiersNYPL catalog ID (B-number): b20170919Universal Unique Identifier (UUID): 7a342890-e84f-0131-2127-3c075448cc4b
Rights StatementThis item is protected by copyright and/or related rights. You are free to use this Item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s).
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